Archive for the cult favorites Category

Review for the Horror Movie ‘Incall’

Posted in Alexander S. Brown, Brock Riebe, cult classic, cult classics, cult favorites, Cult horror, discussion, entertaining, entertainment, frightening, gay artist, Horror, horror art, horror artist, Horror Fans, Horror Lovers, Horror Movies, Horror Punks, Horror Readers, Incall Horror Movie, Incall Movie, Independent Horror, movie discussion, movie review, movies, new horror movies, scary movies on February 24, 2017 by Alexander S. Brown

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I just had the pleasure of viewing the cult movie ‘Incall’ written and directed by Brock Riebe. For those unfamiliar with this underground flick, it’s a homoerotic horror thriller. Throughout its 2hr + runtime, it stands alone as its own movie while honoring presiding cult classics.  Multiple elements within its production, acting, and writing reflect the styles of indie masters such as: Paul Bartel, Roger Corman, and David DeCoteau.

Incall opens with the lead character, Kasey, visiting his mother’s grave.  Kneeling before her tombstone, he speaks of frustrations regarding work, finances, and the general public.  After relaying his troubles, he prays to her spirit, asking her to provide him with a means of escaping the rut he has become trapped in.

Upon walking home, he crosses paths with a charismatic man who we later discover is thief named Marco.  At first, they continue opposite ways, until a shared chemistry stops Kasey who admires Marco walking away.  In response, Marco stops, turns, and smiles at Kasey. By how this is orchestrated, we can conclude their passing is caused by fate, or a supernatural force.

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The next 30 minutes, or so, delivers character development and a background story. By day, Kasey is a bill collector.  At night, he is an inhouse massage therapist who is frequently propositioned by horny, old men.  Remaining professional, he declines their advances despite the money being offered.

In his private time, he journals in a back room at a coffee shop.  Although he intends to stay antisocial, a character named Beth frequently interrupts his secluded visits.  By little screen time, we can see her character is built to have a pestering, noisy disposition, which lacks in communication skills.  An example of this can be seen as Kasey clearly wants to be left alone, yet she continues talking about herself.  Rather than being cruel, Kasey tolerates her company.

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Now with an emotional platform established, the action begins.  One night, Kasey is propositioned by another elderly client.  Trying to remain business professional, he attempts making excuses so the client will leave.  The man, who won’t take no for an answer, pushes himself onto Kasey, causing a scuffle.  During their struggle, one wrong move results in the client’s accidental death.

Uncertain of what to do, or how to react, Kasey is overcome by a numb aftershock that causes him to drink himself to sleep.  The next morning, he goes to work, leaving the corpse where it lay, until he can decide on its disposal method.  Meanwhile, Marco breaks into Kasey’s apartment, finding the dead body. Instead of letting sleeping dogs lie, Marco later confronts Kasey with an irresistible proposition.

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Overall, I enjoyed Incall.  What made the movie stand out for me were the mixture of diverse psychological and spiritual components.  The most fascinating aspect was how Incall commented on emotionally broken characters coming together.  Example: dialogue reveals Kasey’s father is a felon and Marco’s father was abusive. Although it’s not blatant that Beth has daddy issues, she shows characteristics by how she pushes herself on guys and her inability to walk away from her cheating, abusive boyfriend.  Perhaps one of the conveying messages in Incall remarks on the father figure?  Perhaps this shared conflict is one reason why fate has brought the trio together.  However, I believe the main reason for them being acquainted is due to Kasey praying to his mother’s spirit. I speculate this because Marco and Beth eventually provide the necessary tools that Kasey has prayed for.

A final aspect I enjoyed was the gray character development.  No one in this movie is truly good or evil.  Rather they are human, trying to survive a day at a time. Because of their complexity, and ability to have viewers empathize or sympathize, the creator has provided his audience with emotional gold.

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From a scale of 1 to 10. 1 being the worst and 10 being the best, I rate this an 8. Incall is a speculative piece that pays homage to B movie classics, the characters have synchronicity, and the director has a photogenic eye. When Incall receives a DVD release, I plan to include it to my library.

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Blaxploitation Horror Classics

Posted in Alexander S. Brown, blaxploitation, blaxploitation cinema, blaxploitation horror, cult classic, cult classics, cult favorites, Cult horror, discussion, entertaining, entertainment, frightening, Horror, horror art, Horror Fans, Horror Lovers, Horror Movies, Horror Punks, Independent Horror, movie discussion, movie review, movies, scary, scary movies on February 11, 2017 by Alexander S. Brown

With February being Black History Month, I wanted to write about a sub-genre that doesn’t receive the spotlight it deserves.  Rather than focus on movies that might be too contemporary, or mainstream, I would like to start at the beginning.  Below is a list of five Blaxploitation classics that have gained cult followings, and have laid the stepping stones for modern day African American horror cinema.

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House on Skull Mountain is an underrated gem with a simple premise.  The movie begins with a mambo by the name of Pauline Christophe who dies from old age in her home.  Upon her passing, the heirs to her estate arrive at her mansion to receive their inheritance.  Once gathered, each family member is terrorized and murdered by a supernatural power summoned by a bokor.

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Although I’m sure the scenery in this classic won’t creep out today’s younger generation, there are quite a few chilling shots and set designs.  Examples include: the land formation of Skull Mountain and the burial scene in the family cemetery.  Even the architecture and decoration of the mansion itself felt brooding and empty.  Overall, the entire property is a true stereotype to the word “haunting” in every aspect of its definition.  Furthermore, to increase the viewer’s tension, the director provides optical illusions, that subliminally keeps us observant of the architecture and character’s environment.

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Not only is there gothic eye candy galore, the movie is packed with symbolism.  A good portion of the symbols presented are self-explanatory, such as the hooded figure representing death, or the snake (whereas here it represents evil, rather than Damballa who is synchronized with positive entities.)  Yet, there are a few enigmatic segments.  The crow dropping a charm onto Pauline Christophe’s grave requires more interpretation from the viewer.  In some customs, the crow represents life magic, adaptability, and destiny.  The charm it drops is a voodoo symbol for death.  Also, this scene foreshadows later conflict.  Midway through the feature, we see a caged crow.  Although this could be interpreted many ways, my mind perceived it as symbolism representing repressed life, discomfort, and being restrained from one’s destiny.

Despite this being hailed as a part of the Blaxploitation genre, I feel it should take a step further and become known as Gothic Horror due to its style and set design.

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I hesitated on seeing Blacula for quite some time, because I had yet to develop a taste for campy cinema.  However, upon viewing it, I found myself quickly engrossed due its pacing, plot, and symbolism.

In this re-imaging of Bram Stoker’s masterpiece, Blacula opens with a strong reflection on slavery.  After Prince Mamuwalde and his bride, Luva, travel to Transylvania to convince the infamous Count Dracula to end the slave trade, Dracula transforms Mamuwalde into a vampire.  Such as what any slave master would do to his slaves, Dracula strips Mamuwalde’s of his African name and mockingly dubs him, Blacula.  Next, Count Dracula traps him in a coffin and leaves Luva to die in captivity.  Two centuries later, a gay interracial couple are snooping around a warehouse where they accidentaly release Blacula from his coffin.  Once free, Blacula goes on a killing spree where he encounters Tina, who happens to be the reincarnation of Luva.

One reason I appreciate this film is due to the decisions that were made while filming.  Originally, Blacula’s name was to be Andrew Brown.  Yet, actor William Marshall demanded that the character have dignity.  Because of Mr. Marshall, the concept of Andrew Brown was scrapped, and the backstory of Mamuwalde was born.  Also, the choice of a rhythm and blues soundtrack was a good decision.  It keeps the viewer drawn into the theme of the 70s, rather than the horror elements.

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Another reason I appreciate Blacula is because it is a solid horror movie.  Neverminding how some of the makeup isn’t top notch, the director redeems himself by providing suspenseful timing for scares.  A perfect example of this is the morgue scene where one of Blacula’s victims rises from a gurney, runs down the hall, and attacks the mortician.  In the few seconds this vampire is on camera, she is wide eyed with animalistic rage, her hair is disheveled, and her screaming mouth reveals a set of lethal fangs.  To this day, I can’t figure out why this moment is so effective.  I have been torn between questioning if it’s the makeup, the slow-motion filming, or a mixture of both.  Without a doubt, this vampire is what nightmares are made of.

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Throughout the movie, Blacula embodies an iconic physical and emotional character.  In some ways, his character design pays a greater homage to the literary Dracula compared to other movies.  In the book, Stoker provides brief description of Dracula’s facial hair.  Opposed to Gary Oldman’s Dracula who kept a gentleman’s mustache, William Marshall provides a facial canvas that is monstrously highlighted by bizarre hair patterns, which ends up being nightmare fuel.

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Abby is a movie that I was surprised to hear mentioned when I inquired on my social media about Blaxploitation Horror.  For years, it has been one of those hidden gems that I loved, but I thought no one else knew of its existence.   I can’t help but think Warner Bros. is to blame for is limited audience, since WB sued American International Pictures on grounds of copyright issues.  Because of the squabble surrounding Abby ripping off of The Exorcist, this movie fell into a premature grave that wasn’t resurrected until years later.  Despite Warner Bros. winning the infringement lawsuit, one would have to grasp at straws to see a deep connection between Abby and The Exorcist.

Abby begins with Dr. Williams (Abby’s father in law, played by William Marshall) lecturing his class about the entity named Eshu.  For his minimal explanation, we learn Eshu is a trickster, a creator of whirlwinds, and chaos.  Research proves this brief description is accurate.  However, research also explains Eshu’s duty is to ensure that the world maintains balance.  To obtain this balance, Eshu provokes chaos.

Next, Dr. Williams visits Nigeria and finds a puzzle box hidden within a cave he is excavating.  Upon opening the box, he unleashes the very spirit he earlier lectured about.  As coincidental as this sounds, the world of occultism shows there are 101 paths to Eshu.  After the spirit is released, it travels across the Atlantic Ocean where it arrives in America and possesses Abby.  Throughout the feature, it’s never explains why the spirit chooses Abby as its host.  However, since Abby is married to a reverend, and her father in law is also ordained, one can assume Abby’s possession is because she’s the closest of kin to Dr. Williams who isn’t a minister.

The movie does progress without conformation if the spirit possessing Abby’s body is actually Eshu or not.  Even at one point, Dr. Williams speculates the spirit isn’t actually Eshu.  Instead, it is an impostor.  Other than Dr. Williams uncovering the possessed artifact, and the speculation of whether or not the spirit possessing Abby is an impostor, there are no other connections I could depict between this movie and The Exorcist.

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Overall, Abby is fun.  Some of the makeup designs aren’t great, and once possessed, some of Abby’s dialogue sounds suitable for the spoof skit SNL did of The Exorcist.  By no means would I call this movie scary or grotesque.  Instead, it’s a fun installment in the Blaxploitation sub-genre that does deserve to be watched late at night with a group of friends.  Rarely do I ever say this, but I would be interested to see Abby remade.

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J.D.’s Revenge is a movie I had considered watching throughout my life, but I recently settled on viewing it prior to this blog.  The plot focuses on a New Orleans resident named Isaac.  One night when he and his girlfriend Christella are on a date, they attend a hypnosis act where he volunteers to be hypnotized.  When Isaac has successfully reached a trance state, he becomes the unwilling host of a hustler who died in the 1940s known as J.D.  With Isaac gradually acquiring more of J.D.’s mannerisms, J.D. eventually becomes the dominant inhabitant of Isaac’s body, resulting in attempted rape, murder, and exacting revenge upon those who murdered him and his sister, Betty Jo.

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Out of all of the movies on this list, I felt this one had the least to offer in regards to content.  Still, I enjoyed the movie as a period piece and a thriller.  Besides J.D.’s Revenge, being exactly what it is, a man possessed by a vengeful hustler, there aren’t any deep metaphors, or real social commentary to philosophize on.  With food for thought being limited, I suggest audiences to leave their brain at the door, relax, and enjoy this as a supernatural thriller.  The concept is simple, the cast is well put together, and there are quite a few fun one liners throughout.

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Sugar Hill is a movie I immediately fell in love with upon viewing.  The plot follows an upcoming voodoo princess named Sugar Hill.  After a gang murders her boyfriend because he refuses to sell his nightclub, Sugar Hill visits a voodoo queen named Mama Maitreese for help.  Once explaining the circumstance, Mama introduces her to Baron Samedi, who provides her with a gang of zombies to exact her revenge.  With the basis simplistic, this allows a greater concentration on the social commentary, which focuses on racism.

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This Blaxploitation classic is a must see due to the acting, casting, and character design alone.  One can’t help but like Sugar Hill.  She is portrayed as a strong, powerful woman, which I’m a sucker for in horror movies.  She is full of sass, isn’t afraid to risk her soul for sweet revenge, and whenever she is opposed with conflict, she remains calm with stone cold features.

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The overzealous portrayal of Baron Samedi is one of the most diabolic representations I have ever seen.  Rather his character moping about, he is energy driven with a wide-eyed gaze and a brazen grin.  By the glee he displays when assisting Sugar Hill, we can assume he loves his job.

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Mama Maitreese is a fun character because she is the true personification of what one might expect from an elderly voodoo queen.  She is full of knowledge, advice, and behind her grandmotherly appearance is a force not to be reckoned with.

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After honoring the strongest of Sugar Hill’s cast, I can’t close this blog without expressing my admiration towards her zombie gang.  Unlike the flesh-eating zombies that we have become so accustomed to in movies and literature, these zombies are the traditional Haitian ghoul whose sole purpose isn’t to eat, but serve their conjurer.  Their makeup and their bulbous, glassy eyes feel soulless, robotic, and they somewhat pay homage to the zombies featured in, I Walked with a Zombie.

I hope everyone enjoyed this list.  Besides the five movies I spoke of, there are quite a few other classics in circulation regarding African American themed horror.  At the moment, I’m not sure if I want to focus on movies or books for next Black History Month.  Instead of racking my brains over the subject, how about I leave the decision up to you?  Would you prefer next year’s African American Horror blog to be based on movies or books?  Please, leave your answer in the comments.

P.S. If you say movies, there’s a chance I will have quite a few contemporary films listed, most of which, everyone has already seen.  If you say books, there’s a chance I will have quite a few hidden gems up my sleeve.  The choice is yours.

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Christmas Horror Movies that Will Scare Your Chestnuts Off!

Posted in Alexander S. Brown, Amazon, Christmas, christmas horror movies, Controversial Films, cult classic, cult classics, cult favorites, Cult horror, entertaining, entertainment, fandom, frightening, holidays, Horror, Horror Fans, Horror Lovers, Horror Movies, Horror Punks, Horror Readers, Independent Horror, movie discussion, movie review, movies, new horror movies on December 22, 2016 by Alexander S. Brown

Near the end of November, I posted on social media for a list of Christmas themed, family friendly horror movies. For the most part, I received adult related titles, which wasn’t what I was looking for.

For those who might feel uncertain as to what movies are classified as family friendly, I would consider nothing worse than a PG-13 rating. In a chestnut shell, movies that don’t exploit nudity/sex, gore, drugs, or explicit language.

Because of the misconception my post received, I’m going to knock out two turtle doves with one stone. Not only will I focus on suggesting horror themed Christmas movies, but I will categorize ‘Family Friendly’ and ‘Adult Only’ titles.

Family Friendly (PG or PG-13):

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For starters, it’s not Christmas without ‘Gremlins’.  The reasons I love ‘Gremlins’ is because the creators (Chris Columbus, Joe Dante, and Steven Spielberg) were not afraid to deliver chills and laughs throughout.

In a tongue and cheek style, they apply suggestive humor to intense scenes, which creates a deeper level of fear.  The most superb example of this tactic is the attic scene when Mrs. Peltzer first realizes something is wrong.  As the house grows silent, a feeling of suspense captivates the audience.  Although expecting a scream to jolt us from our seats, the downstairs record player starts blaring ‘Do You Hear What I Hear’ when it was in an off position.  This scene is the perfect example of timing, humor, irony, and dread all rolled into one.  To this day, I can’t listen to the Johnny Mathis classic without thinking about this iconic movie.

Fun Facts:

  1. At first, ‘Gremlins’ pushed an R rating with its original script. This included Mrs. Peltzer getting beheaded and the gremlins murdering the family dog.  Due to wanting to keep the movie tame, these scenes were rewritten.
  1. At first, Stripe didn’t exist. Gizmo was supposed to become evil and lead the pack, but, Spielberg felt that keeping Gizmo cuddly would be the wiser choice.

 

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‘Krampus’ is a contemporary classic bound to stand the test of time. While staying true to German folklore, it provides enough originality that it becomes a cornucopia of horrors. Similar to Michael Dougherty’s prior movie ‘Trick R’ Treat’, where Dougherty provides almost all holiday subjects screen time.  Villains include: snowmen, gingerbread men, killer toys, and Krampus himself.  While full of intense moments, there is enough comedy to relieve the tension.

With jumps and humor aside, ‘Krampus’ presents a contemporary Dickens morality, and a wholesome conclusion for the family black sheep.  Overall, by the character development, pacing, and plot, ‘Krampus’ is a movie that isn’t afraid to gift a stocking full of humor, horror, and heart with its overall message.

Fun Fact:

The final design of Krampus was inspired by various illustrations and postcards depicting the iconic Christmas devil.

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‘Scrooged’ is a dark comedy with horror elements.  Examples of these elements can be seen in characters such as Lew Hayward and the Ghost of Christmas Future.  Even the Ghost of Christmas Past (David Johansen) has his own devilish persona in this modern day take. To top it off, Bill Murray endures a live cremation.

Despite the horror elements, ‘Scrooged’ has a certain wholesome, yet humorous, charisma that only director Richard Donner can provide.  Overall, it feels like the holiday answer to the original Ghostbusters in regards to its combination of horror and humor, as Carol Kane, Bill Murray, and Bobcat Goldthwait deliver comedic one liners throughout.

Fun Fact:

Bill Murray complained to Roger Ebert about ‘Scrooged’.  Murray insinuated that he and Donner didn’t get along, and Donner dismissed almost all of Murray’s suggestions for the movie.

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I remember when ‘The Nightmare Before Christmas’ was released and its controversy. Back then, my hometown theater didn’t receive it in their auditorium and quite a few audiences called it ‘sacrilegious’. Although I missed the opportunity to enjoy it in on the big screen, my mom was cool enough to let me rent it on VHS.

From this list, this is perhaps the only title suitable for preteens. However, the love for this holiday mash up, which has sparked arguments between if it’s a Halloween movie, a Christmas movie, or both, is enjoyable for all ages.

In 2006, ‘The Nightmare Before Christmas’ was re-released in theaters in a 3D format.  For the first time, it was under the Walt Disney banner, instead of the Touchstone Pictures banner, where it lived since 1993.

Assuming everyone has seen this fairytale about star crossed lovers, I won’t go into plot detail.  But, I will say, if the opportunity presents itself for you to see the 3D version in theaters, do not pass it by.  The experience returns adults to their childhood, and it gives newcomers something to “talk about for years to come”.

Fun Fact:

To complete this movie, it took three years and a group of around 100 people.  Just for a second of footage, up to 12 stop motion movements had to be performed.

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‘Curse of the Cat People’ isn’t a full-on Christmas movie, yet a good portion of it does surround Christmas.  Despite ‘Curse’ being suitable for all ages, it is complex in a psychological sense by symbolism and verbiage. So, although the feature is safe for preteens, they might not understand its subject matter. To give an example of the movie’s depth, it has been noted that in the past, psychology professors have shown ‘Curse’ to their students.

For those unfamiliar with ‘Curse’ it is a sequel to the famous ‘Cat People’, directed by visionary master Val Lewton.  Although ‘Cat People’ isn’t Christmas based, it provides important character development that is somewhat crucial for viewers entering the sequel.

‘Curse of the Cat People’ takes place years later after its predecessor.  Our subject in this installment is Oliver’s young, friendless daughter, Amy.  Over the passing of autumn turning to winter, we get the impression that Amy is teetering on the edge of sanity.  During this time, she befriends a retired actress and a ghost.  By meeting these two characters, Amy receives solace and transforms into a stronger person.  Although ‘Curse’ presents spooky elements, it is technically a fantasy movie that focuses on maturing, forgiving, and acceptance.

Fun Fact:

The poem quoted by Miss Callahan in ‘Curse’ is ‘The Unseen Playmate’ by Robert Louis Stevenson from ‘A Child’s Garden of Verses’.  For me, this poem sets the mood for the entire movie.

Adults Only (R Rated):

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As we advance into the ‘Adults Only’ category, I have decided to begin with the star upon the tree, ‘Silent Night, Deadly Night’.  This is an infamous cult classic that stirred such controversy by poster art, and prime time advertising, that TriStar Pictures dropped it.  Going a step further, Siskel and Ebert took a moment to list those involved with SNDN’s production, saying, “Shame,” after speaking each name.

For those unaware of this hidden gem, you might be interested to know that it spawned 4 sequels.  Unlike the Halloween franchise, which wanted to expand into an anthology series, the SNDN films achieve the anthology expansion.

The subject of Pt 1 is Billy, who at younger age saw his parents murdered by a criminal dressed as Santa.  Later, he and his younger sibling, Ricky, are thrown into an orphanage.  Here, an abusive Mother Superior warps Billy through a decade of psychological and physical torment.  After snapping, Billy goes on a killing spree, where he uses a variety of weapons, which include: Christmas lights, a boxcutter, an axe, a bow and arrow, and my personal favorite, reindeer antlers.

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Pt 2 continues a decade after the first movie. Ricky has grown into an adult and has picked up the ‘slay’ reins his brother dropped.  For those who missed Pt 1, don’t worry, the sequel recaps its predecessor in flashbacks.  

As a follow up, this installment doesn’t present anything new.  Although, it does make a stronger comment on PTSD, and it comes off feeling like a warning movie for those who have yet to receive the therapeutic help they require.   

When mentioning Pt 2, the psychological aspects of PTSD are never discussed. Yet, the spree killing scene dubbed as “Garbage Day”, has captivated cult audiences for decades. 

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In Pt 3, the series starts to trail away from the killer Santa scenario.  Even though this sequel’s villain is Ricky, he isn’t the primary focus.  Instead, our subject is a blind woman who has undergone a series of testing for her psychic abilities.  Although the acting in Pt 3 is better than Pt 2, Ricky now sports a dome top, which looks cool, but in addition becomes problematic.  My gripe was, other characters acted so nonchalant to his headgear, it felt bizarre and out of place.  Had the dome top not been a part of Ricky’s character, I probably would have enjoyed this installment more.

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From the sequels, Pt 4 is my favorite.  Directed and co-written by Brian Yuzna, who created cult hits such as: Society, Bride of Re-Animator, Necronomicon, The Dentist, and Return of the Living Dead 3, this installment is slimy and grotesque.

With a deeper plot than the prior two sequels, Pt 4 is full of occultism, mutated bugs and worms, and a bizarre sex scene featuring Clint Howard.  Also, here’s a fun side note, Clint Howard’s character name is Ricky.  Perhaps he is the Ricky from the prior films who has now joined a coven?

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Pt 5 is creative, but it was also when the creators realized, the reindeer are dead, let’s stop beating them.  The final chapter, focuses on a Pinocchio themed horror where a toy maker, Joe Petto and his son Pino, create murderous toys.  The only reason why anyone would want to see this installment is due to the blood and gore that is created by the toys.

Fun Facts:

  1. Lilyan Chauvin, who played Mother Superior in Pt 1, admitted it was a mistake for the film’s publicity campaign to center around Santa. She further explained, the advertising should have focused on Billy’s mental stability.
  1. Robert Brian Wilson, who played Billy at 18, said he felt so ashamed by the controversy he told friends and family not to see the film.
  1. Mickey Rooney, who had protested the release of SNDN 1, starred in SNDN 5 as the toymaker. Originally, the movie was called ‘The Toy Maker’, and it wasn’t associated with the franchise until its release.

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Although ‘Black Christmas’ never franchised out, it is perhaps the most well-known movie on the ‘Adults Only’ list.  Despite the reimagining’s negativity from audiences and critics, I liked the remake and the original, but for different reasons.

The original is creepy because the killer is never seen, we have no backstory on him, and the plot is simplistic and realistic.  I think one of the many reasons why ‘Black Christmas’ is so effective is because there is no reason why these murders are happening.  The movie is nothing more than a maniac living in the girl’s sorority house attic.  He harasses them by phone, then kills them one by one.

The reimaging, follows the same scenario, but it develops a background on the killer and why he is hiding in the sorority house.  Also, this version is more grotesque and explicit than its original, but, its comedic charm isn’t as strong.

Fun Facts:

Bob Clark, who directed the 1974 original, and later brought us ‘A Christmas Story’ and ‘Porkey’s’, provided what horror fans consider to be the pioneering slasher film.  ‘Black Christmas’ predates all similar movies like: Halloween, Friday the 13th, My Bloody Valentine, When a Stranger Calls, etc.

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‘P2’ is a guilty pleasure of mine that is nothing more than an hour and a half’s worth of cat and mouse.  Written by Alexandre Aja, Gregory Levasseur, and Franck Khalfoun, ‘P2’ stars Wes Bently and Rachel Nichols.  The concept is a business woman gets trapped inside of a parking garage on Christmas Eve and is held captive by an obsessive security guard.

This is the kind of movie where the viewer can leave their brain at the door.  Not much thought is needed for the movie to progress, as it lacks any deep subplot or twist.  Still, the acting is fairly solid, there aren’t any plot holes, and the fast pacing kept my eyes glued to the screen.

Fun Fact:

‘P2’ was shot in two months, at night, at a working Toronto parking garage.

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‘Christmas Evil’ centers around a boy named Harry, who becomes disenchanted upon seeing his mom and dad kissing.  Although, this doesn’t seem like a big deal, his dad is dressed like Santa.  By seeing this, Harry’s childlike wonder completely shatters.

Decades later, Harry is still unable to overcome his childhood shock, and has developed an unhealthy infatuation with Christmas and Santa.  During the day, he works in a toy factory, which is suitable due to his holiday obsession.  During his free time, his hobbies include spying on the neighborhood children, and categorizing them into a personal list of who’s been naughty and who’s been nice.  Even though red flags indicate he is a few goodies short of a full stocking, nothing physically harmful has happened… yet.

At a Christmas Eve party, he learns of a children’s home that might not have enough presents for everyone.  When no one else will provide toys to the unwanted children, he runs home, and suits up as Santa.  All seems harmless, until he takes on the persona of Saint Nicholas.

As simple as what the concept sounds, ‘Christmas Evil’ is intriguing from a psychological aspect.  Such as Angela Bettis in ‘May’, Harry descends a similar Milky Way of madness as we witness his sanity deteriorate.  While not overusing the slasher aspect, ‘Christmas Evil’ has only two murder scenes.  But I assure you, the lack of blood doesn’t make this any less of a horror movie.

Fun Facts: (SPOILER)

At the end, Harry doesn’t fly away.  Actually, the conclusion is nothing more than Harry imagining a more pleasant scenario as he commits suicide.

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‘Silent Night, Bloody Night’ is perhaps the most underrated movie on this list.  Even though it is full of mystery, horror, and suspense, I believe its style of underground filmmaking is what sucked me in.  Because of its old-school fashion, SNBN feels like a Grindhouse movie, and it provides a gritty piece of holiday horror that causes the skin to crawl.

The movie opens when a homeowner returns to his property, and finds his house has been transformed into an insane asylum.  Without explanation, he is murdered.  Decades later, a lawyer and his secretary take refuge at the same property for an affair.  For a good portion of their onscreen time, their backgrounds allow us to identify with them as the lead characters.  While danger and isolation closes in on the unsuspecting couple, we have a good idea of what is instore.  But, things take a quick Hitchcockian turn.

Due to multiple spoilers, I can’t go into further detail.  All I can say is SNBN is filmed in the style of a good, old fashioned, whodunit with a plethora red herrings.  Near the end, the puzzle pieces fall into place through sepia toned flashbacks of incest, incarceration, and a vengeful grudge that can only be satisfied by bloodshed.
Fun Facts:

SNBN fell into public domain after it left the drive-in circuit. Until it appeared on Elvira’s Movie Macabre, it had been obscure. But, it slowly gained a cult following, which increased upon video rental.

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As I close on what is perhaps the lengthiest blog I have ever written, I hope everyone has enjoyed the read and now has a better understanding between adult and young adult related material. There were quite a few additional hidden gems that I wanted to include on this “Naughy or Nice” list, but I will save those for 2017.

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Merry Christmas and Happy Holidays!

Alexander S. Brown

Alexander S. Brown Amazon Author Page

Lords of Salem Book/Movie Comparison

Posted in Alexander S. Brown, authors, Book Reviews, books, cult books, cult classic, cult classics, cult favorites, Cult horror, discussion, entertaining, entertainment, fandom, Fiction, frightening, holidays, Horror, Horror Authors, Horror Book, Horror Books, Horror Fans, Horror Fiction, horror literature, Horror Lovers, Horror Movies, Horror Punks, Horror Readers, literature, movie discussion, movie review, movies, Read, readers, reading, Readings, Rob Zombie, scary, scary movies on November 26, 2016 by Alexander S. Brown

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During October I decided to listen to something witchy.  Considering I’m a huge fan of the movie, The Lords of Salem, I gave the audiobook an opportunity. For those who don’t prefer audiobook, TLOS is also available in print.

Upon finishing TLOS, my immediate thoughts were: I should have read the book first, it seems Rob Zombie’s hands were tied regarding onscreen content, and the studio butchered the Hell out of the movie.  The book is a companion that addresses some of the random scenes featured in the film.  Also, the backstory of the main characters, especially Heidi, seems more developed.  Aside from offering more information, the book is 100% more brutal than what the studios released.

In comparison to the movie, the book doesn’t provide any new twists or scares, and it follows the same concept throughout. The major differences regard ritual sacrifice, the descendants hypnotized by the coven’s music, and the concert sequence.  Movie wise, these scenes were watered down.  Had the movie not utilized nudity, drugs, or explicit language, it could have been pg-13. However, if these very elements were removed from the book, the subject matter would still teeter between NC-17 and R, due to violence alone.

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With gore and character development aside, the book provides a brief reasoning for the delusions Heidi suffered, mostly giving insight to the humanoid creatures.  The way these delusions appear in the movie, makes the viewer feel like something frightening is placed at the most random spot for no reason. The book suggests these creatures are used to put Heidi in a low place mentally, physically, and spiritually.  Furthermore, they are given a brief origin, as the authors suggest these creatures were once human.  Thus allowing the reader to speculate that the entities are the results of damned human souls.

Although, it seems that if one reads the book, they should skip the movie, I assure you, this isn’t the case.  Despite the movie won’t provide the intensity found within the book, it introduces Rob Zombie’s ability to create a visually satisfying art house movie.  From start to end, Zombie unleashes hellish scenes, historic urban settings, and Kubrickian imagery.

However, the eye candy doesn’t end with the artistic angle alone, as the casting is favorable to cult icons.  I think what makes TLOS so frightening is not only the character Margret Morgan, but the way Meg Foster portrays her by image and vocals.  Character wise, Margret Morgan is one of the most frightening witches since The Black Queen in Dario Argento’s Susperia.  Actress wise, this role makes us remember why Meg Foster is an icon to start with.

Even though Sherri Moon Zombie is already iconic, her role as Heidi reinforces her cult status.  My supporting reasons include Heidi’s musical and wardrobe taste, her tangible personality, and her unsettling skull face.  Compared to Moon’s other roles, her portraying Heidi is a great contrast between her prior achievements, such as: Baby Firefly and Deborah Myers.

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Casting honorable mentions include: Bruce Davidson (Willard & The Crucible), Jeff Daniel Phillips (To Die for 2 & Halloween 2), Judy Geeson (Berserk & Goodbye Gemini), Patricia Quinn (Rocky Horror Picture Show & Shock Treatment), Dee Wallace (The Howling & Cujo), and Ken Foree (Dawn of the Dead & From Beyond).

From a scale of 1 to 10, 1 being the worst, 10 being the best, I would rate the book a 9 and the audio narration a 10.  Bringing my final decision to a 9 ½ total.  Movie, I would rate a 7 ½ .

Do You Have the Guts?

Posted in Alexander S. Brown, Amazon, author reviews, authors, Book Reviews, books, cult books, cult classic, cult classics, cult favorites, Cult horror, discussion, entertainment, fandom, Fiction, Horror, Horror Authors, Horror Book, Horror Books, Horror Fans, Horror Fiction, horror literature, Horror Lovers, Horror Punks, Horror Readers, literature, Read, readers, reading, Readings, scary on November 5, 2016 by Alexander S. Brown

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For those who have never read Haunted, the experience that awaits you lacks comparison to any other book by Chuck Palahniuk.  Crafted in the style of what would happen if John Waters paid homage to The Canterbury Tales, the reader is shaken by stories that are grotesque, humorous, and depressing. Described as a novel of short stories, Haunted opens with our lead characters gathering on a bus for a once in a lifetime writer’s retreat.

At their destination, the aspiring authors discover the retreat is an abandoned theater where they are expected to write their masterpiece.  With reluctance, they proceed forward, hoping this experience will help them produce a bestseller.  Once entering the theater, they are locked inside for three months.  To intensify their experience further, the retreat’s host Mr. Whittier, and his assistant Tess Clark, deprive their guests of sleep, food, water, and warmth, until someone produces a successful story.

With the stage set, each chapter unfolds in three sections: the wrap around story, a free verse poem introducing one author at a time, and a story narrated by the author who introduced themselves by poem.  From here, each of the seventeen authors try to outdo the other by making their story more shocking, depressing, or repulsive than the last.

What intrigued me most were the pseudonyms given to the authors, and how their names foreshadowed their stories.  From this motley crew, my favorite characters include: Saint Gut Free, Mother Nature, Lady Baglady, The Earl of Slander, Director Denial, Conrad Snarky, Baroness Frostbite, Reverend Godless, Tess Clark, and Mr. Whittier.  The rest of the characters are divided between mediocre and unappealing.  Although some of the stories weren’t as good as others, the wrap around tale kept me on the edge of my seat.

The first story, Guts by Saint Gut Free, stirs emotions similar to what one might expect if a grenade fell into a septic tank. Holding strong with its infamous ability to make readers faint, I consider this piece to be a rite of passage that will prolapse the soul.  Considering I am the sicko that I praise myself to be, I found a free audio upload of this story on YouTube, which I shared on social media.  This entry is my favorite and everyone should experience it blindly.  If you would like to lose your innocence, click HERE for the audio of Guts.

Foot Work by Mother Nature isn’t as grotesque as Guts, but it provides a unique scenario. I became enthralled with the originality this tale had in aspects that were sexual and crime related. By the end of the story, I questioned the reality of the circumstance, and it made me want to explore the pros and cons of reflexology.

Slumming by Lady Baglady was a story that utilized maximum intensity without relying on extreme sex or gore. This segment presents a role-playing scenario between a wealthy married couple, which soon goes from fun to frightening.  As the story concludes, it leaves the reader with an old-school sense of dread, adding a whole new level of fear to being homeless.

Swan Song by The Earl of Slander reminds me of an adulterated Aesop’s Fables.  The segment focuses on The Earl’s career as a reporter.  Down on his luck, he decides to further his career by planting a kiddie porn collection in the home of a retired child star.  Before the story can end happily for The Earl, an ironic twist causes him to regret his actions.  In a sense, the ending is delivered like a tasteless joke that is amusing, despite its poor taste.

Exodus by Director Denial is my 2nd favorite story in Haunted.  To me, this story focuses on how some people harbor dark perversities, or secrets, and can keep these private thoughts buried deep, until something allows them to indulge. The scenario here includes two preteen sex dolls, an eccentric case worker, and a horny police squad.  Although this segment is deeply perverted, it does provide dark humor.

Speaking Bitterness by Conrad Snarky was a difficult pill to swallow. It was degrading, and deeply saturated in bigotry.  Yet, it was my third favorite story as it focuses on adult bullying and instigators.  In my opinion, this entry is the most powerful of the book and I can see it confusing the emotions of someone who has discriminated.

Hot Potting by The Baroness Frostbite is a piece that grants backstory to her disfigured appearance.  In this action packed, survivalist themed sequence, I was on the edge of my seat until the final word.  Although predicting the tragedy long before it unfolded, I continued reading with anticipation.  Once the inevitable happened, my skin crawled due to Palahniuk’s cringeworthy prose.

Punch Drunk by Reverend Godless tells about the reverend being an ex-military man who plans to get rich from lip sinking to Celine Dion while in drag. However, that is not the extent of his plan and his reasoning for getting rich is just as intriguing. Written to not be humorous, grotesque, or shocking, this story comes off as nothing more but depressing. Yet, its motive is an untouched concept that will hold one’s interest.

Post-Production, The Nightmare Box, Poster Child, and Cassandra are all stories by Tess Clark, which chronicle her life and the life of her abducted daughter Cassandra.  Determined to learn what happened to her daughter, Tess returns to the location where Cassandra was found, which is also the very spot in which she is now trapped.  The number of stories that Tess was provided surprised me, since all other characters were granted fewer spots. Despite her frequent returns throughout the book, her interesting life could have been expanded into a full novel.  In her stories, she shares about her career as a porn star, her botched plastic surgery, the abduction and rescue of her self-mutilating daughter, and a mercy killing.

Last, but not least, the stories: Dog Days and Obsolete chronicle the life of, and is told by, Mr. Whittier. These stories give a solid background to our villain who has orchestrated this torturous writer’s retreat.  They detail how he received the theater and how he blackmailed his way into wealth. Although it seems that he will continue orchestrating to the end of the book, an unseen turn of events happens during the frame story, making matters go from bad to worse.

Out of the 23 stories, 14 of these were enjoyable, and the others did very little to keep my attention.  Although some stories lacked, the characters who told them played vital roles in the frame story itself.  From a scale of 1 to 10, 1 being the worst and 10 being the best, I give this an 8, mostly because of the stories by Miss America, The Duke of Vandals, The Matchmaker, Sister Vigilante, Chef Assassin, Agent Tattletale, The Missing Link, The Countess Foresight, and Miss Sneezy falling short.  Yet, after factoring in the creativity of this book, the likable stories, and the pacing of the frame story, the better content outweighs the boring.

Controversial Movies 2

Posted in Alexander S. Brown, Controversial Films, cult classic, cult classics, cult favorites, Cult horror, discussion, entertaining, entertainment, foreign films, foreign horror films, foreign movies, frightening, Halloween, Horror, Horror Fans, Horror Lovers, Horror Movies, Horror Punks, Independent Horror, movie discussion, movie review, movies, october, scary, scary movies, Splatterpunk, Uncategorized on October 11, 2016 by Alexander S. Brown

As Halloween approaches, I have been asked again for a list of controversial horror movies.  If you have not seen the first list, click HERE to be redirected.  Below is another Top 10, that I consider to be movies that will repulse you and test the friendship of anyone who you dare share them with.

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Nekromantik 1 & 2 are German art house films, directed by the infamous Jorg Buttgereit.  For those who are wondering where these movies stand in underground cinema, John Waters quoted part 1 as, “Ground breakingly gruesome!  The first erotic film for necrophiles.” Although neither are as shocking as what their reputation proceeds, they are still worth the watch for gorehounds.

Nekromantik opens with a cleanup crew bagging the corpses from a car crash. The attention zooms in on a street sweeper named Rob, who seems smitten by the mangled bodies.  Shortly thereafter, we gain insight into his life, and learn that he and his girlfriend, Betty, have an unhealthy obsession with death.  Living in a world where only their thoughts have subdued their taboo urges, Rob takes the next step to make their dream a reality.

Presented as causal as a person bringing home a third party for a ménage a trois, Rob smuggles into his apartment a full bodied decomposing corpse, which is used sexually by himself and Betty. When Betty falls in love with the corpse, she runs off and takes it with her.  By Betty leaving, Rob spirals out into a descent of madness, until the epic conclusion, which is one of the most bizarre masturbation scenes I have ever witnessed. Perhaps the director is trying to say that open relationships can kill an already established relationship?

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Nekromantik 2 picks up where its predecessor left off. However, as the first movie focused on a male necrophile, its sequel focuses on Monika, a female necrophile. The opening scene shows our lead female digging up Rob’s grave. Such as in the first movie, she brings Rob’s decomposing corpse back to her home, where she attempts to make love to it.

Not long after, Monika meets Mark, and a love interest sparks.  While pursuing a relationship with a living person, she keeps her necrophilic lifestyle a secret. After Rob’s corpse deteriorates further, she saws off his head and genitals, and keeps them preserved in her refrigerator.  Next, Monika lures Mark into her apartment for sex, and the result will make you lose your head. Perhaps the director is commenting on how some people move from one stagnate relationship to the next?

Regardless of how puke worthy these movies are, they both have a beautifully instrumental soundtrack. Also, the art house fashion they are filmed in leaves room for interpretation.

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Megan is Missing is an awareness film about Internet predators.  Although it doesn’t play on a gore factor, the subject matter hits hard.  The movie focuses on two fourteen-year-old girls, Megan and Amy. Although these two have polar opposite personalities, they carry a best friend status.  Megan plays the party hard, smoking, drinking, drug using character, who has already lost her virginity.  Amy is the shy, unpopular virgin who has good grades and refuses to indulge in substances.  Despite their personalities clashing, they find a deep understanding of one another that is documented through web cams, cell phones, and other found footage devices.

One day, Megan stumbles upon a seventeen-year-old boy in a chat room by the name of Josh.  When she suggests that they webcam together, he insists that his cam is broken and will only provide his voice.  As Megan develops a quick relationship with Josh, even though she has no clue what he looks like, the viewer gets a sense in the pit of their stomach that she is being manipulated.

While their online relationship grows, Megan introduces Amy to Josh via webcam.  Although Amy seems apprehensive, Megan continues to revel in her blossoming online relationship.  Days later, Megan decides to meet Josh, and upon their meeting, she is never heard from again.

From here, Amy dedicates herself to finding Megan. In the end, she does find Megan, and the grown man who identified himself as the teenage Josh.  However, the outcome will literally make your flesh crawl.

Despite how this movie does nothing more than indicate the abuse that the girls suffered, it is presented in a way that we might as well have bared witness to the horrors.  Even though I am not a parent, this movie haunted me for days to come.  It opened up my eyes to the possibilities of how well predators can manipulate children, even more so if the parents of these children are neglectful.

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Cannibal is a German art house film based on the true case of Armin Meiwes. For those unfamiliar with this case, Meiwes had spent his time in online chatrooms regarding taboos and fetishes. One night, he comes across Bernd Brandes who expresses his desire to submit to a cannibal. From there, the rest is history.

In the movie adaptation of this bizarre cannibal relationship, Meiwes’s character is known as The Man, and Brandes’s character is known as The Flesh.  Much like an actual online relationship, The Man and The Flesh, chat for some time.  When their fantasy can no longer be tamed, they meet and build a deeper relationship, with the understanding that this is building up to the moment where The Man consumes The Flesh.

Once they establish a trustworthy partnership, they begin discussing when and how their fantasy will unfold.  However, a small hiccup occurs and The Flesh leaves.  Determined not to let this moment pass him by, The Man confronts The Flesh at a train station and convinces The Flesh to return home with him.  Next, The Flesh guzzles down dangerous amounts of alcohol and pills, then he instructs The Man to castrate him, which he does.  Together, they eat the severed penis.  Afterwards, The Man takes The Flesh to the bathroom and bathes him before mutilating him further.

 
The conclusion of this movie is full of vomit, scat, and uncut scenes of gore.  The “in your face” fashion this is filmed in makes no apologies for the subject matter, and it finished on a note that is just as crude as the prior scenes.  Another noteworthy movie that tackles the Meiwes case is a movie called, Grimm Love staring Keri Russell. If you have a weak stomach, you might want to settle for the Grimm Love version.

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The Poughkeepsie Tapes is a movie that haunted me long after viewing it, and it is perhaps my favorite movie on this list. Since it never received a DVD/Blu Ray release, it can occasionally be seen floating around the Internet, like a snuff film that has accidentally leaked.

Shot in a found footage style, from the point of view of the serial killer, we receive insight into his home movies, which detail his methods of stalking, torturing, and killing.  Throughout his mayhem, one scene depicting a severed head sewn up in a dead woman’s stomach, the tapes focus on a victim, Cheryl Dempsey, who he kidnapped during her teenage years.  In the time that he has her as his prisoner, he dehumanizes her sexually and emotionally over what could easily be a decade.  The end result of what she has undergone, shows in her personality, as she becomes completely submissive.

The final segments of this movie focus on Cheryl’s rescue and her mentality.  Without gore, the movie ends on such a disturbing note, that her psychological state shook me more than the torture scenes.  If you do get a chance to view this movie, watch past the credits, there is a hidden scene at the end.  For me, since the only way this can be viewed is by finding it online, the experience creeped me out more than similar movies that one might have easy access to.

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Guinea Pig: Flower of Flesh and Blood is the infamous torture porn movie that caused Charlie Sheen to call the FBI and report it as a snuff film.  Obviously, this wasn’t the first complaint the FBI had received, as they were already investigating the filmmakers.  To everyone’s relief, the footage was deemed to be fake.

For those unfamiliar with the Guinea Pig movies, they are a series that gained notoriety during the 1980s -1990s. The original concept was to have the movies reflect Hideshi Hino’s manga.  Most of these movies are filmed in one location and lack any real plot. Their main purpose is to repulse and show off special effect skills.

Guinea Pig: Flower of Flesh and Blood is the most famous of the series.  For America, this is possibly because of Charlie Sheen calling the FBI, yet, it could be because this installment provides nerve cringing scenes that look so realistic, the viewer starts doubting if they are fake or not.

Since this movie lacks plot and provides gore for no other reason but to repulse, it doesn’t build a fear factor until the end, as we learn the maniac remains at large, looking for his next victim. Although some would say the idea isn’t frightening, I have always been compelled to make sure my doors are locked, and blinds are pulled, when a movie ends with the killer running amuck.

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The Girl Next Door is based off of the book by the same title and is inspired by the true story of Sylvia Likens and Gertrude Baniszewski. If you are looking for a movie that not only will repulse, but make your blood boil with rage, this one is for you.

The movie follows two sisters, Meg and Susan, who have lost their parents in a car crash.  With nowhere to go, they are sent to live with Aunt Ruth and her three sons.  Although this caregiver comes off as a loving parent, she encourages smoking and alcoholism among her sons and their friends.   As Aunt Ruth teeters on the edge of sanity from her own alcoholism and jealousy, she utilizes Meg as a scapegoat.

Once seeing what she can get away with, Ruth begins encouraging her children to also bully Meg.  Soon, the bullying and verbal abuse becomes physical with beatings and cigarette burns.  Shortly thereafter, Ruth ties Meg up in the basement where she is starved, deprived of sleep, gang raped, cut, beaten, and circumcised with a blow torch.

When seeing this movie, I had no clue what I had bargained for until after I watched it. If you are looking for that one film that will make you want to bathe in Clorox, this is it. However, if you are interested in the story vs. the torture porn aspects of it, the movie starring Ellen Page, Evan Peters, Catherine Kenner, and James Franco called An American Crime, could be more your speed.  Also, An American Crime is more of an accurate telling.

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Begotten is a movie that just can’t be categorized. Instead of it being a flat out horror movie, I could easily see it falling into the fantasy genre. Begotten is truly a one of a kind experience, as there is no dialogue, or music, for its entire length. Instead of conversing persons, sound effects, or theme songs, we have 72 minutes worth of chirping crickets.

Filmed in harsh black and white, without utilizing any of the gray scale, we watch as God disembowels himself. After he dies, a female known as Mother Earth emerges from him and impregnates herself with his seed. As she wanders off into a barren wasteland, she gives birth to a full grown man, who she leaves to the elements. In the credits, this character is known as Son of Earth.

Just when I didn’t think the movie could become any more bizarre, a group of nomads encounter Son of Earth and drag him away by what appears to be an umbilical cord.  After these nomads torture and burn Son of Earth, Mother Earth returns to him, attempting to bring him comfort.

During her coddling, the nomads rape and dismember her, as Son of Earth is forced to watch.  Next, they dismember Son of Earth, then they bury him with Mother Earth.  Once both have been buried, flowers bloom across the once barren land.

Although Begotten’s graphic scenes are few and in between. It is an intense movie that sucks the viewer into its hypnotic imagery and story.  For those who are curious to what this movie represents, it is supposed to be the writer/director’s take on Genesis.

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Martyrs is a movie that left me feeling stunned. The movie opens with a young girl named Lucie escaping what appears to be an abandoned warehouse.  By her appearance, we assume she has undergone a tremendous degree of torture.  After Lucie is rescued, she is taken in by an orphanage where she befriends Anna, a girl who is near her own age.  The childhood sequence wraps itself up with Lucie catching a glimpse of something unworldly.

A decade later, Lucie and Anna hunt down the family responsible for her child abuse.  Once her vengeance has been exacted, the movie takes a hard turn for the worse.  Although filled with scenes of intense gore, violence, and torture, this movie is packed with twists and turns, and still delivers a psychological plot.

The first time I saw Martyrs, I went into it blindly, and I’m glad I did. First, I thought it was a revenge movie.  Then I thought it was a creature movie.  Finally, I saw it was a speculative film commenting on those who witness the afterlife.  Out of all of the movies listed here, this is the most unique, creative, and thought provoking of the bunch.

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I Spit on Your Grave (original). By now, everyone has either seen, or heard of I Spit on Your Grave. In case you are one of the few left in the dark, here’s the concept. A young author, Jennifer Hills, takes refuge in the wilderness and is gang raped by a group of locals. After being left for dead, she recuperates and exacts her revenge.

My first experience watching this was when I was a teenager, and it was like having a bucket of ice water dumped on me.  Never before, or since, have I seen a rape sequence this descriptive, as the brutality spans for the better part of 30 minutes. Although some of the acting could be considered B rated, the effects and rape sequence is realistic enough to make one question if the scenes are acted or not.

In my opinion, the one scene that could prevent someone from continuing forward in this movie, if they aren’t already used to extreme cinema, is the boulder rape scene. If you make it past that, the bottle rape and castration scenes will be a walk in the park.  For anyone looking for the ultimate revenge flick, it doesn’t get any better than the original I Spit on Your Grave.

I hope you enjoyed this list.  I look forward to everyone’s comments.  And if you do decide to venture into any of these movies, proceed with caution.

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Happy Halloween!

Dancing Devil Shot Recipe

Posted in Alexander S. Brown, Amazon, authors, cult books, cult classic, cult classics, cult favorites, Cult horror, drink recipes, drinks, entertaining, entertainment, fandom, Fiction, Halloween, Halloween Books, halloween recipes, holidays, Horror, Horror Authors, Horror Book, Horror Books, Horror Fans, Horror Fiction, horror literature, Horror Lovers, Horror Punks, Horror Readers, Independent Horror, literature, Mississippi, mississippi authors, Mississippi Horror Author, Read, readers, reading, Readings, south, southern authors, The Night The Jack O Lantern Went Out, Uncategorized on October 8, 2016 by Alexander S. Brown

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I created another shot recipe for my new bestselling book, The Night the Jack O’ Lantern Went Out. Because of the online shares I have received, here’s something devilish to make you dance.

Dancing Devil Shot:

1/2 tsp Fireball

Half Praline Liquor

Half Cherry Bourbon

Sprinkle lightly with nutmeg.

Enjoy!

This shot was inspired by my short story, The Fire Watcher, which is featured in TNTJWO.

For those who are unfamiliar with TNTJWO, this book is a collection of 13 vintage Halloween stories that are themed around folklore, customs, and superstitions. On its release date, it was ranked in the top 100 under the 3 bestseller lists on http://www.Amazon.com.

Lists include:

Ebooks

#19 Horror Short Stories

#88 Genre Fiction/ Holidays

Books

#93 Holidays

TNTJWO is already on its way to becoming a holiday cult classic with young adults and adults.  Order your paperback or ebook by clicking HERE.

View a teaser trailer HERE.